Hello, Tracy Holczer! I’m so happy
you’ve returned to Watch. Connect. Read. to celebrate Everything Else in the Universe. What are three things we should
know about Lucia Mercedes Evangeline Rossi?
Tracy: Lucia Mercedes Evangeline
Rossi is most definitely not a superstitious person.
She is a practical person, an
orderly person, a thinker of thoughts, just like her father.
Right up until she meets Milo
and his dragonflies.
What planted the seed for Everything Else in the Universe?
Tracy: I come from a very large, very
loving Italian family. I also grew up with a disabled father, both mentally and
physically. I threw all that into the pot and Lucy popped out.
What is the best thing about
writing middle-grade fiction?
Tracy: Oh, boy. It's very personal
for me. Each book is a communication with my younger self. A healing. I take
the circumstances I lived through and turn them around to give myself a better
ending. It's this hope and healing I most love sharing with my readers.
Please finish these sentence
starters:
Story is a labyrinth, a kaleidoscope, a
journey into your deepest self, and a way back out again.
Mr. Schu, you should have
asked me what it was like growing up in
an Italian family! Now, you'll have to read the book to find out. Safe to say
there were lots of meatballs, camping trips and family parties. Not to mention
shouting, terrible jokes and learning how to play a good game of Thirty One. Everything Else in the Universe is an
ode to my loving family, and I hope readers enjoy!
Check out all the stops on the Everything Else in the Universe blog tour:
Hi, Ali Standish! Whoa!
Sarah Coleman’s cover illustration for August
Isle is STUNNING. Look at the moon! Look at the lighthouse! Look at the
turtle! Look at Miranda standing on a colorful boat! There’s so much to take in
and think about. Please tell us three things about Miranda.
Ali Standish: I could not agree
more! I can’t stop staring at that sea turtle! And, of course, I was thrilled
with the way it turned out and with how Sarah reflected Miranda’s journey. So,
some things you should know about Miranda…
1.She is a baking fanatic. The only problem
is she, er, doesn’t actually know how to bake.
2. Conversely, she also loves to sail…she
just doesn’t know it yet!
3. Like so many of us, and us girls in
particular, she has learned to underestimate herself. In many ways, this is the
story of her learning to embrace her strength, bravery, and all the things that
make her unique.
Do you have a
favorite place on August Isle?
Ali Standish: I do, and it’s
Miranda’s favorite, too! My favorite place is underneath the August Oak, the
enormous tree for which the island is named. That’s Aw-GUST, as in something
highly distinguished and respectable. I based it on the Angel Oak, a live oak
in South Carolina that is close to 500 years old. There’s something both
humbling and comforting about standing under something so big and old. And
what’s more magical than stopping beneath a beautiful tree and watching the sunlight
shine through its greenery?
If Ethan (from The Ethan I was Before) and Miranda attended
the same school, do you think they would be friends?
Ali Standish: Ethan and Miranda
have a lot in common. For one thing, they are both pretty reserved, which is
funny because I was NOT at their age. They would definitely find kindred
spirits in one another, but it might take a bit of nudging from Coralee and
Sammy to get them to overcome their shyness and start talking to each
other!
Miranda’s Aunt
Clare is a bridge between Miranda and her mother’s past. Over the course of one
summer, she becomes a mom to Miranda in ways that her own mother hasn’t been
for quite some time.
Story is what binds
humankind together across space and time. Actually, I just read a really lovely
quote on story while researching for a new project that I’d love to share. It’s
by Carolyn G. Heilbrun, who writes
“Let us agree on
this: that we live our lives through texts. These may be read, or chanted, or
experienced electronically, or come to us, like the murmurings of our mothers,
telling us of what conventions demand. Whatever their form or medium, these
stories are what have formed us all, they are what we must use to make our new
fictions…out of old tales, we must make new lives.”
Oh, how I love that
last line!
Oh, how I love this statement as well. Thank you for sharing it!
Mr. Schu, you
should have asked me what I learned from writing this book. My journey in
writing AUGUST ISLE mirrors Miranda’s own process to conquer her inner-demons.
This was not the first second book I wrote. It took me a few tries to get to
this story, and by the time I got there, I wasn’t sure I believed in my own
ability to write it anymore. Everyday I battled voices in my head that said I
couldn’t. We all have those voices, don’t we? Authors are (definitely!) no
exception. And it’s so hard not to give into them. But the more we know we are
not alone—that we are all fighting them off together—the more empowered I think
we’ll all be. I’m so glad I reached out for support from family and friends,
that I kept pushing forward, and that I didn’t let my self doubt win (most
days). I couldn’t be happier with the way AUGUST ISLE has turned out, and I
can’t wait for the world to meet Miranda!
Hello, Sean Easley! Happy Thursday! Sean: Hello, Mr. Schu! Thank you for dropping by to chat with me about The Hotel Between, your parents, school libraries, and story.
I wrote the words in purple, and Sean wrote the words in black. Thank you, Sean! The
Hotel Between tells the story of a kid who’s afraid of everything and
gets thrust into a big world that’s full of wonder and danger (or, as the book
calls it, “terrors and treasures"). The book’s about a boy worries when he
should be enjoying his kidhood, and who needs to learn that it’s okay to take
risks, because that’s what life is. There’s magic in the world, and kids can’t
enjoy all those wonders the world has to offer without taking the leap and
trying new things, meeting new people, and discovering how much they don’t know.
Twins Cam and Cass couldn’t be more
different. Cass is confident and sees the opportunities the world has to offer
her, while Cam (wrongly) weighs himself down with responsibilities that don’t
belong to him. They’re both kids—still learning how to navigate their own
developing personalities—and they both have a lot to learn.
This is especially true of Cam, who’s
struggling with feeling responsible for things that are out of his control. His
wrong thinking—about the world, about his sister (who he thinks he needs to
protect, even though she knows better)—is a driving force for his growth and
the mishaps they encounter along the way. Cass’s confidence and Cam’s lack of
confidence in the idea that good things can happen is a driving force in the
story.
Did you know that my parents were both
teachers? My dad taught sciences, and my mom taught foreign languages (Spanish,
German). My whole experience growing up was shaped by the fact that I was
always in schools (and libraries), and my mom’s love of languages translated
into me loving global culture and reading.
School libraries are the heart and soul
of lifelong learning. Classrooms are wonderful for teaching specific
information and skills, but it’s in the freedom of the library that kids learn
how big the world really is, and can discover the capacity they have to do
things they never even dreamed of. Libraries let kids discover knowledge and
skills and personality traits that set them apart onto their own paths, and aid
in developing unique skillsets and worldviews that allow them to innovate and
create as grow into adulthood.
Story is key to understanding people.
Everyone has a story that gives texture to who they are and defines how they
see the world. When kids learn story—and when they engage in stories that are
new and from many different perspectives—they grow in empathy and wisdom.
Knowledge can come from many sources, but wisdom is hard to instill apart from
story.
Mr. Schu, you should have asked me about
where the magic of The Hotel Between came from! I’ve always had a tumultuous
relationship with magic systems in books because they feel so disconnected from
the character arcs and what the protagonist is learning. I decided very early
in the process of writing The Hotel
Between that I wanted this magic to be inseparable from the emotions and
deep truths my characters were learning. The magic in The Hotel Between does have physical manifestations—like binding
doors between places in the world and gluing one thing to another—but it’s so
much more than that. It’s the magic of family, and friendships, and dependence
on one another. The magic of commitment, and the power people hold over each
other, and the need for love. The binding (the magic of this book) is intrinsically
personal, and I love seeing those personal wins turned into something
spectacular.
Hello, Jen Petro-Roy! Welcome back to Watch.
Connect. Read.! I’m honored you returned to talk about your two forthcoming
books, Good Enough and You Are Enough. I know both books are
going to help so many people struggling with and recovering from eating
disorders. Let’s start by discussing Good
Enough. Why did you tell Riley’s story?
Jen Petro-Roy: Riley’s story is one that has been growing in my
head and in my heart for years, ever since I was struggling with and recovering
from an eating disorder myself. It wasn’t until now, with enough distance from
my past, that I could sit down and again immerse myself in the head space of
someone struggling with an eating disorder. One of the things I wanted to do
with Riley—and with the fellow patients she meets in the hospital—is to make
them real. Real people with real problems and feelings, not just a collection
of symptoms and behaviors. I didn’t want to preach, either to kids or to
parents—instead I wanted to show the reader how it truly feels to have an
eating disorder and how those feelings can make recovery so hard. So many
people think of eating disorders as affecting teenagers or college kids, but
that’s not true. Anyone can suffer,
and kids and middle schoolers are struggling more and more. That’s why when I
wrote this, I wanted to be aware of my reader. I don’t use any language that
could trigger my readers or “give them ideas” and I made sure to show why Riley decides to recovery and how
hard—and rewarding and valuable—recovery is. Yes, I hope
this book is a good book, but I also hope it’s a window into a mindset that so
few understand unless they have been there themselves.
Publication Date: February 19, 2019
I love Good Enough's cover. What's the significance of the eyes?
Jen Petro-Roy: I love this cover. It
was designed by the amazing Liz Dresner and the art was done by Romy Blümel. It’s so different than that of my debut, P.S. I Miss You, andso striking. In Good Enough, Riley is an artist, and her passion for drawing has
waned as she fell into the world of her eating disorder. As the novel progress,
Riley starts to rekindle that love again, and begins to draw the faces of
herself and her loved ones. I also love how the eyes are a subtle nod to how,
when you struggle with an eating disorder or body image, you always feel like
you are being watched. Your life and your body become something to cultivate,
something others are always watching. The eyes show this without putting an
actual body on the cover. (Because eating disorders aren’t really about bodies
or food after all.)
Publication Date: February 19, 2019
Do you view You
Are Enough as a non-fiction companion to Good Enough?
Jen Petro-Roy: Absolutely, although it 100% stands on its own. You Are Enough is a guide to recovery
where I talk about my own journey and give information and advice to the tween
and teen age group. One of the things my editors and I worked really hard on is
to make this an incredibly inclusive guide—I talk about the dangers and challenges
of various types of eating disorders and interviewed various experts and
advocates. I talk about how hard recovery can be for males and for those in
LGBTQIAP+ population, for those with chronic illnesses and for those who are
neurodiverse. I write about the fat acceptance movement and how people of any
size can get eating disorders. And I talk about the problems kids may face in
trying to achieve recovery: with their friends, with their family, and with
society. It’s a toolbox for recovery and a book that would hopefully help Riley
and her fellow patients in Good Enough.
While You
Are Enough is written for young readers with disordered eating and body
image problems, why is it important for teachers, librarians, and caretakers to
read it?
Jen Petro-Roy: Teachers, librarians, and caretakers (along with friends) are the ones
who may notice when a kid or a teen is struggling with disordered eating or
body image. They’re also the ones who can help. When I was sick, it was hard to
ask for help, because some part of me wanted to remain sick. That’s why it’s so
important for teachers and librarians to practice empathy, to be able to
understand how the mind of someone with an eating disorder works, and what may
or may not be helpful in convincing someone to take that first step toward
recovery. I’m hoping my books can help, too.
Please finish these sentence starters:
Story is everything. It’s how we make sense of
the world, how we relate to other people, how we find joy, and how we learn to
empathize to those who are different than us.
Mr. Schu, you should have asked me about what
else I’m doing along with the release of these books. I’m currently working on
setting up a program where I’ll be visiting schools, parent groups, and
community organizations to talk about body image and disordered eating in kids
and teens. I’ll be talking about my own journey, how society is structured to
make us feel bad about ourselves, and how kids can work to strengthen their own
self esteem. I’m calling it EmpowerED and I’m hoping to start visits in the
next school year! I can be contacted for this through my website.
Hello, Lynne Kelly! I
am OVER THE MOON to celebrate Song for a
Whale with you today. I love Iris and her story. I think Leo Nickolls’
cover illustration perfectly captures the heart and feel of the book.
Lynne Kelly: Thank you for having
me here, Mr. Schu! I’m so excited to finally be able to share the cover with
everyone. And yes, it’s a stunning illustration--I nearly fell out of my chair
when I first saw it. The bright colors really stand out, and I love the whale
and the triumphant pose of Iris on the pier. Those pine trees and reflection that
double as sound waves were a lovely surprise!
Yes, the sound waves practically pop off the cover. Did your work as a
sign language interpreter inspire Iris Bailey’s story?
Lynne: Yes, for sure! Some of
my first interpreting jobs were in public school classrooms. My work still takes
me there occasionally, and I’ve been able to work with some smart and funny
kids. Also, I interpreted for a college student who’d been repairing old radios
and TVs since he was a kid, and I found that fascinating. That’s a skill I
decided to give Iris, and it ended up working out perfectly for her attempt to
reach out to the whale.
When I started working
in the field, I was surprised to meet so many deaf people whose parents never
learned sign language. It’s still quite common, and I think that’s a big reason
deaf people have a stronger bond with other deaf people than with their own
family members; if your parents don’t speak your language, you’re never going
to have more than superficial conversations with them. The students I’ve worked
with have had other deaf students at school to talk to, but that doesn’t happen
for everyone.
When I started working
on this story about a whale who can’t communicate with other whales, I thought
about the character who’d want to track him down. Iris is fortunate to have a
deaf grandmother and family members who sign, though she still feels left out
at home and isolated at school.
Song for a Whale focuses on a whale and Chained focuses on an elephant. What are your two favorite facts
about whales and your two favorite facts about elephants?
Lynne: It’s hard to narrow
down my favorite facts, since they’re both such fascinating animals! They’re
similar in some ways, like in how their communication includes sounds that
humans can’t hear.
Two favorites about
elephants:
- They recognize
friends and family members, even after decades apart
- They’re good
swimmers, and use their trunks as a snorkel
And two favorite
recent discoveries about whales:
- Bowhead whales are
called “the jazz musicians of the sea,” because they’re constantly changing
their songs
- Groups of humpback
whales sometimes attack orcas that are hunting other marine mammals, like seals
or gray whales. Humpbacks eat small food, like plankton and krill, so no one
knows for sure why they’re interfering with those orca hunts.
Thank you! I know it was hard not to share more than two facts about each animal. :)
Please finish these
sentences:
Blue 55 is a whale
who sings at a frequency unlike any other. Though other whales don’t understand
him, he keeps singing his song and hopes one day something out there will hear
him and answer back. He’s based on the 52 hertz whale, also known as “The
Loneliest Whale in the World,” who might be a blue-fin hybrid like the
fictionalized version in this story.
I hope Song for a Whale connects with readers
who’ve felt alone and unheard.
School libraries and
librarians should be in every school! There are books out there for every
reader, but of course readers need access to those books. A good school
librarian can foster a love for reading and help students find stories they’ll
enjoy.
Mr. Schu, you should
have asked me my favorite facts about sign language!
Each country has its
own sign language, and some countries have more than one. The signed language
of a country often is very different from its spoken language. British Sign
Language, for example, is nothing like American Sign Language, though the two
countries have the same spoken language.
My favorite thing
about using the language is that it’s 3-D. Since we have use of the space in
front of us, we can concisely show the movement of a herd of animals or cars in
traffic with one sign.
Hello, Temre Beltz! Thank you for
dropping by to celebrate The Tragical
Tale of Birdie Bloom, your debut middle-grade novel. I bet a flood of
emotions rushed through your body when the email message containing The Tragical Tale of Birdie Bloom’s
final cover landed in your inbox. What did you say to yourself before and after
you opened the email message?
Temre Beltz: Since writing my first story at the
age of seven, and finally hitting a milestone by signing with my agent Molly
O’Neill, it’s probably not surprising that I’ve spent countless hours in
between dreaming about what my book cover might one day look like.I never imagined an artist whose work I love—Melissa
Manwill—and an incredible cover designer—Jessie Gang—would be the ones to bring
my characters to life!Even still, I
wasn’t one bit prepared for how my heart would react.When I opened the email from my editor
Stephanie Stein at HarperCollins, my eyes went straight to Birdie.And I burst into tears.It is a funny thing to see someone for the
first time, someone I’ve spent countless hours in the trenches with, and to
know immediately that it’s her and that somehow, miraculously, she’s become . .
. real.It is true book magic.And every time I catch a glimpse of Agnes
Prunella Crunch—the story’s wicked witch who becomes Birdie’s pen pal—zipping
jauntily through the night sky, I can’t help but smile and, most importantly,
remember that what we need most is sometimes the last thing we’d ever expect.Revealing the cover on your blog today is a
huge honor, Mr. Schu.Birdie’s story is
really all about discovering the special magic of friendship and
“togetherness,” so thank you for allowing me to get one step closer to the best
“together” of all—sharing this book with readers.
Thank you for allowing me to reveal it.
Please booktalk The Tragical Tale of Birdie Bloom using no more than 140 characters
(old school Twitter).
Temre Beltz: This is a story about hopeful
orphans, sensitive dragons, grouchy witches, mysterious butlers, handwritten
letters, and being found right where we are.
Thank you for providing a perfect booktalk. I LOVE the footnotes sprinkled
throughout The Tragical Tale of Birdie
Bloom. What are your thoughts on footnotes?
Temre Beltz: Thank you, Mr. Schu.I am so glad you liked the footnotes!When the book itself emerged as the narrator
I was thoroughly enthralled (who hasn’t wondered what a book might say about
all those words it carefully stows beneath its cover?) and a fair bit
nervous.But I shouldn’t have been.Books were made to be read.A book is not truly complete until it has
found a reader.And this book, in
particular, has traveled a very long way to tell its story and is oh-so-eager
to journey with the reader, sticking close during the scary parts and never failing
to provide all sorts of (mostly useful) insider information conveniently
located at the bottom of the page.
Please finish these sentence
starters:
Birdie Bloom thinks there is hope in an unfinished story;
in a kingdom like Wanderly even something as ordinary as the blueberries cannot
be underestimated; and sometimes the roof-rattling, foundation-shaking,
deep-in-your-bones howling of the wind isn’t anything to be afraid of at all.
Story is a wonderful friend.It is always there where you last put it, its
front cover is open to all, it never rushes you, it never grows tired of you—in
fact, it would love nothing more than to be read over and over and over—and,
just like any good friend, it reminds us that even in the darkest parts of our
own stories, and perhaps especially then, we are never truly alone.
Mr. Schu, you should have asked me why I chose to write a story
involving a wicked witch.First, once
you meet Agnes, you’ll probably understand that whether I wanted to write about
her or not was sort of beside the point (it’s not usually a good idea to say
“No” to a witch).Second, when I was in
the fourth grade I tried out for the school play and my very shy self was cast
in the role of the wicked witch.I was
horrified!I was asked to cackle!In front
of people.But it was perhaps the best
thing for me because that’s when I began to think, what if there are other
“witches” like me?What if there are
other characters who feel they’ve been miscast?How do you navigate the world when you feel like you are “stuck?”And, most important of all, is there any way
to become “unstuck?”
Look for The Tragical Tale of Birdie Bloom on March 26, 2019.
Hello,
Aidan Cassie! Thank you for dropping by to share your trailer of Sterling, Best Dog Ever. What should we know about Sterling before
watching his ADORABLE book trailer?
Aidan: Thanks for
having me! You should probably know that Sterling is a silly and confused
dachshund, so there will indeed be shenanigans, but mostly he’s just searching
for love and a feeling of connection.
What planted the seed for Sterling, Best Dog Ever?
Aidan: My childhood dog, Lady, an itty-bitty miniature dachshund, was really the inspiration. She didn’t know she was a dog. She sat expectantly on our table, hid in the pillows, and if you clipped a leash to her collar she’d roll onto her back. I imagine most dogs probably question their identity (am I a person? a wolf? a pet? a king?) so combining that quality with Sterling’s canine desire to be a people-pleaser was great fun.
What would we see if we visited your studio?
Aidan: Oh yes, come visit! My studio is my favorite place, tucked into the tall
trees of a west coast island. Steps away is a creek with a bridge to a
fairy-door filled rainforest where I take my big red dog for hikes (and,
importantly, story percolation).
In my studio you’d find two desks: a cluttered one for art-making, and a somewhat
cleaner one with my Cintiq tablet for digital art. You’d see three bulletin
boards: one for laying out book dummies, a second plastered with wee notes (like
the words of Ms. Frizzle, “Take chances, make mistakes, get messy!”), and a
third for pinning up doodled ideas. Of course there are also piles of picture
books and bizarre reference objects, like beaver-chewed wood chips and clay
models of my book characters.
Please
finish these sentences:
Picture
books are visual adventures in alternate worlds and other lives. Cracked open
they beg to be read aloud and pored over. Unlike reliably timed film, the
reader’s voice determines the pace. In the space between the artwork and the
word our imaginations are called to fill in the connections and ideas, the sounds
and movements, and, of course, is best done by those well versed in make-believe.
Story is
that imagined journey shared between teller and listener.
Mr.
Schu, you should have asked me where I made the art for Sterling, Best
Dog Ever, because it wasn’t in my home studio. My husband and I took our
daughter to southern France, for a year. We traded houses, and cars, and even
our dogs. Our weekends were filled with gothic cathedrals, fields of lavender,
bike-baskets stuffed with baguettes, quaint villages and slouching medieval
buildings, while the weekdays soon became routine working retreats. Sometimes,
when the familiar felt very far away, I'd look at the book I was writing
and be reminded that when you’re surrounded by those who love you, you really
have home wherever you are.
