A Guest Post by Rebecca Mock

The last phase of Compass South was the final edits and drawing the cover.

(messy color sketch)

The cover for book 1 was a collab between ideas I presented and ideas from Hope and our editor. We wanted to show the two main characters front and center, but I wanted to show their full figures rather than floating heads or cutting them off at the waist. I also wanted to show something scenic. The image became a wraparound cover, a full scene that had a lot of sky, but with Alex and Cleo effectively framed front and center. This was a scene straight from the story--Alex and Cleo running across the wharf in New Orleans, before they are separated.

Cleo’s profile for the spine

It was tricky to get their positions right--they had to look convincingly alive in the space, while still evoking the drama of their "hero" running poses.

(We played with cutting Alex off at the waist, then the foot. But I wanted his full figure in. I finally got the composition and poses to work after this version!)

The main ship from the story--the Anita--needed to be shown in its full glory as well. I had started this book knowing next to nothing about drawing ships. Now I was campaigning to put one right on the cover, to show viewers how majestic and beautiful they could be. The gracefulness and power of ships plays a big role in the Four Points story.

The back cover showed the other main ship--the steamship that Cleo sneaks onto. Now we had both our main "ship" characters. (Also on the front cover I added in a little drawing of Luther, their main nemesis, and a little silhouette of a person on the deck of the Anita--that's The Mate!)

I made sure to also add in plenty of flags, though these aren't seen in the book. But flags are colorful and celebratory. I'm saying “Hooray! Look at this pretty book!” Some of the flag designs were taken straight from the many ship flags seen in Howl's Moving Castle (a favorite film of mine).

And that’s our story! I hope you pick up Compass South, even just to admire the cover, which I’m pretty proud of. Enjoy!

Rebecca Mock is an illustrator and comic artist. Her work has appeared in various publications including the New York Times and The New Yorker. She is co-organizer of the Hana Doki Kira anthology. Compass South is her first book. Visit her online at www.rebeccamock.com.

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June 27th — Supernatural Snark
June 28th — Love is not a Triangle
June 29th — Forever YA
June 30th — YA Bibliophile
July 1st — Sharpread
July 2nd — Watch. Connect. Read.